Ca Tru has many names, depending on each locality, each period of time, it is also called A dao singing, Cua dinh singing, Cua quyen singing, Co dau singing, Nha to singing, Nha tro singing and Ca cong
singing. This is a long-standing and unique form of art which has
special meaning in the musical treasures of Viet Nam, associated with
the traditional festivals, customs, religions, literature, music,
thoughts and philosophy of the Vietnamese.
The Ca Tru singing was assessed in the heritage records as follows:
Tru, which dates back to the 15th century, was performed attach in a
cultural diversity space during different historical periods. Ca Tru
showed a sense of identity and continuity in the art performances, being
innovative and transmitted between generations by professional music
guilds known as Giao phuong. These guilds have maintained the
close relationship communities, forming characteristics of Ca Tru.
Although undergone many social and historical changes, Ca Tru has still
kept distinct vitality due to its art value in the Vietnamese culture.
Tru is unique with its private art performing space, musical
instruments and distinct style of poetry. According to folk artists, Ca
Tru has 56 different musical forms or melodies, each of which is called the cach.
The singing technique is very sophisticated. The singers have to
practice in very painstaking and meticulous manner. Streamlined
instruments with timbres in contrast have elevated the beauty of each
Ca Tru performing is involved by at least three people:
- A female singer (called “dao” or “ca nuong”)
both singing and playing the phach (which is made of bamboo or wood. It
is struck with two hard wooden beaters, one of which is split into two
so it creates a different slightly higher pitched sound.)
- A male instrumentalist (called “kep”) playing the dan day three-stringed lute (which has 3 strings and 10 frets.)
- And a person beating the trong chau or “praise drum” (called “quan vien”
- a musician from the group of Ca Tru singer and instrumentalist or
sometimes is the composer of the lyrics.) The praise drummer is a
connoisseur of Ca Tru. The rhythms the drummer plays mark the end and
beginning of different sections and phrases of music and he also uses
particular drumming patterns to show his appreciation of the music and
The “dao” sits in the middle of performing mat. The “kep” and “quan vien” sit near by in two sides. Ca Tru performing space is quite small and the participation from the audiences is very essential.
Ca Tru singing is an art form of sung poetry with a rich collection of songs reserved for each functions as Hat tho (worship singing), Hat thi (competitive singing), Hat choi (singing
for entertainment). Lyrics of Ca Tru songs have scholarly nature, much
meaning with few words, rich in poetry with lots of thoughtful and
profound emotions. Ca Tru which consists of all genres from lyric and
romantic songs to epic, philosophic, teaching ones…, has attracted the
participation of many scholars and poets in experience their talents and
compose poems for Ca Tru. One cannot see all the beauty and value of
this performance art without understand thoroughly the content and art
of words in the songs as well as the precise expression of female
singers in their emotions and feelings together with voice and music.
According to the researchers, by mid-2009, there were 63 clubs with about 769 people (including 513 dao and 256 kep and trong chau
player) in 14 provinces and cities (Ha Noi, Phu Tho, Vinh Phuc, Bac
Ninh, Hai Duong, Hung Yen, Hai Phong, Thai Binh, Nam Dinh, Thanh Hoa,
Nghe An, Ha Tinh, Quang Binh, Ho Chi Minh City) throughout the country
have frequently carried out activities and establish plans for research,
documentation, collection, preservation, performance and transmission
of Ca Tru. However, the numbers of folk artists who can sing from 10
tunes or more are very rare. At the Vietnamese Institute for Musicology,
7 dances and 42 songs of Ca Tru have been stored. There are 26 files
written in Han Nom scripts on Ca Tru and about 25 books on Ca Tru.
Tru has been recognized as major contributors to the culture of Viet
Nam. From Ca Tru, a unique poetry was born and became a brilliant
position in the Nom scripts literature of the nation. That is Hat noi (recital melody) style which has been popular for centuries. In addition, phach and dan day
three-stringed lute has become specific instruments of Ca Tru,
contributing to make Ca Tru become a classic vocal music genre of Viet
Nam. With the rich of history, the depth of art and the distinct
national character, Ca Tru has confirmed its important role not only in
Viet Nam but also all over the world.
consensus, voluntary and full understanding of Ca tru singing
community, along with action plans, responsibilities, commitments,
supports and assistances of authorities at all levels of the state, Ca
tru has been safeguarded to ensure its vitality. And with the preeminent
features, after four years of waiting, since the Government decided to
submit to UNESCO for its consideration, Ca tru singing has been
inscribed on the list of Intangible Cultural Heritage in need of Urgent
Safeguarding on October 1, 2009 in Abu Dhabi, UAE.
Ca TruThangLong Clubperforms
Ca tru singing from20h00 to 21h00 onevery Tuesday, Thursday, Saturday at
Old House 87Ma May Street, Hoan Kiem Districtwith items such as Non Nuoc, Gui thu (Sending letter), 36 tunes, Hat ru
(Lullaby), Hat noi (recital melody), Ty ba hanh…
Ca Tru Ha NoiClubperforms Ca tru singing from20h00 - 21h00 on every Wednesday,
Friday and Sundayat42Hang Bac Street, Hoan Kiem District.
Ticketprice: VND200,000/turn Tel: (84) 974020400
-ThesongsperformedbyVietnamesebutEnglish quotationthroughoutthe shows -At the break time,
visitors willlearn about thehistory ofCa tru singing, theinstrumentsused in
Ca tru performance and also have the
instruments, take photos artisans.
CatruUNESCOCentreperforms Ca tru singingfrom9h30 – 11h00a.m onthe firstSundayof themonthat Museumof
Van HuyenSt., Cau Giay